The Narrator brought out the sound case, and put the table onto that. It was too important to simply haul off-stage. There was too much at stake.
Get it? Get it?
The major piece of the table I restored yesterday is still stuck firm, but that leg ... I have reattached it with wood glue and the clamp (which had been relocated for the larger damage and then set aside) and it may see another performance.
Kids! Read those vampire books!
The crowd at Fairview was very nice, though strangely low on Twilight fans. I mean, I was really surprised. But the folks there have always been very supportive and the turnout was high.
Margaret led her first post-show discussion tonight, and it was really great. It went into some new places, especially into the sanguine. It is so weird that Bella describes Edward's breath as smelling sweet. He eats blood, that is his diet. It doesn't matter that it is animal blood. Have you ever been hit in the face? Had dental surgery? Have you ever had am amount of blood sit in your mouth? You know how it tastes? How it smells? Now imagine that is what you eat. Stoker nailed it with his description of Dracula's personal hygiene, sweet his breath was not.
A woman came up after and asked me about Kent State. She wasn't critical, she just wanted to know why. The Interview has references to historical events in the way the other three do not. And yet, none of them are mentioned by name, not specifically. But if it weren't obvious, she was struck by the reference to "13 Seconds." I did not know that was a book, I just knew it was a fact.
Setting up and striking, Emily treated us to the weirdest mix CD I have ever heard. She's big into Wicked, apparently.
I have made this observation before, but not here. How much did Margaret Hamilton owe her performance as the Wicked Witch to Max Shreck? She is diminutive, to be sure, I am not sure she is even taller than Judy Garland. And while all around her is brightly colored (including her face) she is dressed all in black, a black which light seems to fall into. So she creates these silhouettes with her joints - her elbows, her shoulders, making shadows against the background, with those long fingers, jutting UP into Dorothy's face.
Well. It's obvious, isn't it?